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    Yayati Godbole

    The Second Procession
    2026
    47.6 x 71.6 inches
    Ink and thread on Repurposed Fabric

    Yayati Godbole

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    Yayati Godbole

    Navadurga
    2025
    35.8 x 41.7 inches
    Ink and thread on Repurposed Fabric

    Yayati Godbole

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    Yayati Godbole

    Raavan
    2025
    20.8 x 27.6 inches
    Ink and thread on Repurposed Fabric

    Yayati Godbole

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    Yayati Godbole

    Dashavatar
    2023
    33.5 x 44.5 inches
    Acrylic and Ink on Silk Fabric

    Yayati Godbole

    Mouse-over to Zoom

    Yayati Godbole

    • Yayati Godbole

      The Second Procession
      2026
      47.6 x 71.6 inches
      Ink and thread on Repurposed Fabric

    • Yayati Godbole

      Navadurga
      2025
      35.8 x 41.7 inches
      Ink and thread on Repurposed Fabric

    • Yayati Godbole

      Raavan
      2025
      20.8 x 27.6 inches
      Ink and thread on Repurposed Fabric

    • Yayati Godbole

      Dashavatar
      2023
      33.5 x 44.5 inches
      Acrylic and Ink on Silk Fabric

    Yayati Godbole, an artist and mixologist believes in the concept of less is more. When viewing his works, one can see the simplicity of his
    style in the manner of fables borrowed from heritage times as his muse. He passionately believes in hand-drawing and painting on various
    materials like the cliché canvas and porcelain clocks; his “objects de vertu”. Each object has its own oneness.
    Godbole uses the colour black for the reason that it was the first colour to be used by prehistoric artists to illustrate their ideologies on
    walls of caves et al. He manipulates the colour on the surface of the clock depicting intricate drawings with varied densities. The artist
    uses double bell porcelain alarm clocks with reiterations of his archetypical leitmotifs exhibiting Yayati’s celebrated concept of “living in
    the now”.
    His process comes across as meditative and meticulous of symbolic leitmotifs with visible strokes of consciousness-expanding hues
    accompanied by a facial structure with vacant eyes, lines entering from multiple directions, and undivided sections of leaves.
    The artist lives and works in Mysore, Karnataka.

    Exhibitions:

    Solo Show “The Accidental Absence of the Now” at Gallery Art & Soul, Mumbai, 2016

    Solo Show called Adversity in Delhi, 2015

    Group Show in Dubai, 2010

    Group Show called Gharana in 1997 at Nehru Centre, Mumbai

    Several works are in Private collections in the U.S., Europe, Middle East and India


    Permanent Collection:

    Bangalore International Airport, Terminal 2
    12 artworks for Floor Inlay, 9ft x 9ft


    Experience:

    Worked as a Creative Director across Advertising agencies in India and the Middle East for 26 years before quitting and starting fresh as a visual artist.

    Have a keen affinity towards working on/with new mediums. Have worked on Transparent Acrylic sheets, Silk, Organza and Cotton textiles, Ethically sourced leather and Alarm clocks, to name a few.

    And recently using marble and Stone.

    60, Deendayal Upadhyay Marg, Mandi House, Delhi 110003
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