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    Tinkal Khatri

    “The Internal Finding its way out”
    2025
    13 x 8.5 x 8.5 inches
    Madder root, gum arabic, letterpress inks on a set of
    8 canvas panels stitched through aluminium wires

    Tinkal Khatri thumbnailTinkal Khatri thumbnail
    Tinkal Khatri

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    Tinkal Khatri

    “The Internal Finding its way out”
    2026
    90 x 90 inches
    Madder Root, letterpress inks, threads on canvas

    Tinkal Khatri

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    Tinkal Khatri

    “Look How I Am Morphing Under the Sun II”
    2025
    86 x 60 inches
    Madder root, letterpress inks, papier mache on
    canvas

    Tinkal Khatri

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    Tinkal Khatri

    “Look How I Am Morphing Under the Sun VIII”
    2025
    86 x 60 inches
    Indigo, letterpress inks, papier mache on canvas

    Tinkal Khatri

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    Tinkal Khatri

    • Tinkal Khatri

      “The Internal Finding its way out”
      2025
      13 x 8.5 x 8.5 inches
      Madder root, gum arabic, letterpress inks on a set of
      8 canvas panels stitched through aluminium wires

    • Tinkal Khatri

      “The Internal Finding its way out”
      2026
      90 x 90 inches
      Madder Root, letterpress inks, threads on canvas

    • Tinkal Khatri

      “Look How I Am Morphing Under the Sun II”
      2025
      86 x 60 inches
      Madder root, letterpress inks, papier mache on
      canvas

    • Tinkal Khatri

      “Look How I Am Morphing Under the Sun VIII”
      2025
      86 x 60 inches
      Indigo, letterpress inks, papier mache on canvas

    Tinkal Khatri (b. 2001, Jaipur) is a multidisciplinary artist whose practice spans painting, sculpture, and printmaking. Drawing on a rich
    array of materials and techniques—including woodblock printing, papier-mâché, natural dyeing, and traditional textiles like muslin and
    cotton calicoes—Khatri weaves together elements of flora, fauna, architecture, and cosmic history. Her work reflects a deep engagement
    with Jaipur’s evolving cultural landscape while charting her journey of self-discovery through art. Inspired by artists like Mrinalini
    Mukherjee and Anish Kapoor, Mrinalini’s material exploration and semi-abstract giant textile sculptures, while Anish Kapoor’s
    reinterpretation of ‘contradictions’ taken from Freudian philosophy and how he amalgamates that idea with the colour, red. The word
    ‘Contradictions’ plays a crucial role in Khatri’s artistic practice. She juxtaposes contrasting elements by using dyeing techniques to convey
    fragility and fluidity while simultaneously employing materials and techniques such as paper mâché and block printing to illustrate rigidity.
    She frequently employs the shape of an egg, which symbolizes a duality: it appears rigid on the outside while being fragile and fluid on the
    inside. Additionally, she explores the contrasting qualities of cotton canvas fabric. Although the material looks delicate, its strength is
    evident when touched.
    Inspired by Yuval Noah Harari’s Sapiens, Khatri explores the concept of origins—of nature, cities, and craftsmanship—through her creative
    lens. Her recent works reimagine Jaipur’s historical dyeing and block-printing traditions, incorporating sustainable, plant-based pigments
    like madder and indigo. By revisiting these time-honored methods, Khatri not only celebrates the city’s artistic heritage but also addresses
    the ecological concerns of modern industrialization. Through her multidisciplinary approach, Khatri creates works that honor tradition
    while offering fresh perspectives on sustainability, identity, and the interconnectedness of nature and culture.
    Her recent solo exhibition, Look How I Am Morphing Under the Sun, was featured during Jaipur Art Week 4.0 at Albert Hall Museum,
    supported by the Public Arts Trust of India. She is also set to exhibit in the Nature Art Cube Exhibition at the Nature Art Biennale, Gwangju,
    South Korea (September 2025).

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